Upcoming Events- BIG Art Show 2010When: Thu Jul 1, 2010 to Fri Oct 1, 2010 Where: Heritage Hjemkomst Center-- Delivered by Feed43 service […]
- Group Show at Fargo North’s Maillioux GalleryWhen: Tue Aug 10, 2010 to Fri Oct 29, 2010 Where: Fargo North’s Maillioux Gallery, Fargo North High School, Fargo, ND-- Delivered by Feed43 service […]
- Play with Proportion ShowWhen: Wed Sep 22, 2010 to Sun Nov 7, 2010 Where: The Spirit Room, 111 Broadway, Fargo, ND-- Delivered by Feed43 service […]
- Studio Crawl 2010When: Sat Oct 2, 2010 to Sun Oct 3, 2010 Where: Fargo-Moorhead and the surrounding area-- Delivered by Feed43 service […]
- BIG Art Show 2010
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Professional Practices Committee
Mission Statement
Research and educate members in matters of professional practices.
Professional practices in the Visual Arts
The purpose of this committee will be to prepare a comprehensive list of issues that artists need to address to function as professionals. Later, after we identify these issues, we will try to formulate documents that will guide artists to practice professionally. A small steering committees have been formed, but the meetings are open to all FMVA members. Meetings will be announced via email. If you cannot attend but have items you think need to be addressed, please send them to the Board of Directors (bod@fmva.us). I believe that our status in the community will give us enough clout to make this work effectively.
Please Participate — Tim Ray
What is a Professional Artist?
No definition at present, See AIGA
Sales Tax Number.
Required
Income Tax Practices
• Very complex. Everchanging. See your accountant. However, some points to consider.
• Keep Records as a small business. Software suggestions.
• Further “Bullet Points” to be added by Janet Flom.
• Need for workshop or consultant suggested.
• Artist may deduct only cost of materials when donating work to a non-profit. Is this good or bad? Before you answer, consider how you record inventory. (Carl Oltvedt)
Sales, Pricing Etc.
Prices should be consistent from the buyer’s viewpoint. Ie. If you sell a work from your studio, it should be the same price as if you sell it from a gallery.
Realize that your prices establish part of the average price in Fargo Moorhead. If you sell a nice drawing of a duck for $5, it lowers the price for all duck art. Even if you are a rich retired faculty member, reasonable pricing is needed to keep prices at a level that can support working artists.
Pricing Methods.
1. time + materials
2. open market. What someone not compelled to buy will give you when you are not compelled to sell. Trial and error.
3. Similar work by an artist at a similar stage of development.
Warranties. Expressed implied.
Much discussion. If you say this is an oil painting on canvas, that is what it should be. (Honesty in advertising) May also apply to enhanced resumes.
Some agreement that being overly generous with clients leads to improving artist’s reputation.
Copyright
A similar problem to taxes
It is best to refer to legal assistance. See Part IV Rights in AIGA. See Crawford.
Prints vs. Reproductions
Which is which? Kent Kapplinger “volunteered” to put down some guidelines. This section is necessary for clients to understand better what they are buying when terms such “limited edition” and “original” are tossed around.
Reference: Professional Practices in Graphic Design; AIGA, Allworth Press, NY